Date of Graduation

8-2016

Document Type

Dissertation

Degree Name

Doctor of Philosophy in English (PhD)

Degree Level

Graduate

Department

English

Advisor

M.Keith Booker

Committee Member

Robert Cochran

Second Committee Member

Susan Marren

Abstract

Over the last forty years, no force has driven cultural change more than the rapid expansion and improvement of digital technologies. In my project, I argue that a thorough examination of the hacker figure in fictional texts reveals our aesthetic understanding of technological change through such hybrid, posthuman figures. Such figures act as a bridge between human users and digital technologies. More so than non-fiction or other forms, novels employ hacker figures to connect readers with complex representations of technology. Charting genre mutations through this period, I argue that the hacker figure enacts a promising trajectory that folds into a failure narrative, which the novel form provides a unique landscape to capture. Hacker figures across a range of fictional forms participate in a version of Jameson’s cognitive mapping, allowing us to navigate and better understand the complex systems represented in novels that also map their presents in the matrix of globalization and late capitalism. Through an examination of novels and films from the 1980s, 1990s, and post-9/11—especially works by William Gibson, Bruce Sterling, Pat Cadigan, Neal Stephenson, Cory Doctorow, and Daniel Suarez—I reveal how the rise and fall of utopian energies relating to the hacker figure assist in mapping postmodern culture.

Available for download on Thursday, June 29, 2017

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