University of Arkansas, Fayetteville
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Abstract

This project was motivated by the premise that a drawing could take on architectural meaning beyond its initial performance as a re-presentation of an architectural idea; in other words, the motivation was to create a drawing that was architecture. When the drawing is the research, however, the conclusions found are necessarily different from the earliest goals pursued. There comes an understanding that a drawing may never be literal architecture; although, the means by which the drawing is created might be architectural or, at the very least, speak to ideals which are fundamental to the creation, to the process, of architecture.

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