Date of Graduation
Master of Fine Arts in Art (MFA)
Second Committee Member
Third Committee Member
art, ceramic, ceramics, craft, history, sculpture
The purpose of this paper is to describe both the inherent formal qualities and conceptual framework that are addressed within the exhibition, Seeing Through Feeling. The exhibition is centered around the methodology of making, collection, and display all through the one singular positioning, the object. The objects within the exhibition are either handmade or collected fragments that weave together around the singular position of craft and history under the pretense of how our understanding of time may not always be true. The thesis breaks down key components through specific themes into the categories of the hand, eye, symbol, object, value, display, and collection.
Rodgers, C. M. (2019). Seeing Through Feeling. Theses and Dissertations Retrieved from https://scholarworks.uark.edu/etd/3221