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Abstract

This article presents pan of my research on a type of electronic music known as Japanese noise carried out for my Honors Thesis in Music, Creating Silence through Noise: an Aesthetic Approach to the Sounds of "Japanese noise". It introduces Japanese noise, its origins in the 1970s and 1980s, its musical influences, and the early distribution of its pieces. The first generation of Japanese noise artists and their perceptions of Tokyo are then discussed. Finally, the possibility is advanced of a correlation between such perceptions of the city and the sounds of Japanese noise.

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