Date of Graduation
5-2024
Document Type
Thesis
Degree Name
Master of Arts in Art Education (MA)
Degree Level
Graduate
Department
Art
Advisor/Mentor
Kathy J. Brown
Committee Member
Paulina Camacho-Valencia
Second Committee Member
Séan P. Connors
Keywords
Arts-Based Research; Drawing; New Materialism; Self-Study; Semiotics
Abstract
This arts-based self-study aimed to investigate the dynamic interplay of semiotic relationships and art pedagogical praxes through objects within the researcher’s art classroom. Utilizing interdisciplinary perspectives of semiotics, the new materialist concept of thing-power, and art scholarship, this arts-based self-study explores how inanimate objects possess the ability to influence and reflect pedagogical ideologies. The literature review provides an overview of educational semiotics, new materialist theory with a focus on the concept of thing-power, and drawing as a form of scholarship. It examines the communicative ability of the educational environment, elaborating on the role of objects as signs and symbols in the construction of meaning-making and knowledge construction; the implications of thing-power for understanding the agency of objects and their capacity to act within social and educational contexts; and the insights that artistic process such as drawing can elucidate, allowing for the (re)construction of knowledge around the object being drawn. Adopting arts-based methods of drawing and reflective writing, the research explores the semiotic relationships embedded in the objects contained in the researcher’s art classroom. The concept of thing-power emerges as a theoretical lens through which the researcher reframed their understanding of classroom contents, recognizing their agency and potential to shape educational experiences. The results of the study reveal nuanced insights into the semiotic relationships between objects and pedagogical practices. Through drawing and reflective writing, layers of meaning embedded in classroom contents were uncovered, shedding light on three distinct themes: power dynamics, active deception, and prioritization. While acknowledging the limitations inherent in artistic representation and (re)interpretations of meanings, the study calls for further research to explore the applicability of its findings in diverse educational contexts. It advocates for the integration of thing-power and arts-based methods into reflecting on pedagogical practices, highlighting the potential for enriched teaching and learning experiences. By embracing thing-power and arts-based methods, educators can deepen their understanding of the dynamic interplay between materiality and learning, fostering inclusive and equitable educational environments that prioritize student agency and engagement.
Citation
Hale, D. N. (2024). (Re)Consider the Walls: Exploring Meaning Potentials of an Art Classroom’s Contents through Thing-Powered Illustrations. School of Art Graduate Theses Retrieved from https://scholarworks.uark.edu/artsetd/1