Date of Graduation
8-2014
Document Type
Thesis
Degree Name
Master of Fine Arts in Art (MFA)
Degree Level
Graduate
Department
Art
Advisor/Mentor
Peven, Michael
Committee Member
Musgnug, Kristin A.
Second Committee Member
McConnell, Mathew S.
Third Committee Member
Pulido-Rull, Ana
Keywords
Photography
Abstract
The works presented in "Anatomies of Melancholy" explore the residual affects of pain and trauma through photography. By combining personal stories with documentary photography this body of work conveys a tension between the (in)visibility of pain and the need to speak*. Through the process of spending time with individuals and discussing their personal trauma while making photographs, I hope to acknowledge and even conserve the pain of others. Though the images do not include a narrative of the subjects' pain, they are able to communicate and begin a visual discourse. The raw and emotive images become a platform for the viewer to empathize with the pain of others or understand their own pain. I am interested in a photograph's power to console, articulate and offer a map of our experiences. "Anatomies of Melancholy" questions the stigmatization of pain by serving as a reminder that it is a human condition, felt by all.
*Reinhardt, Mark, Holly Edwards and Erina Dugganne. Beautiful Suffering: Photography and the Traffic in Pain, 11.
Citation
Barquist, L. C. (2014). Anatomies of Melancholy. Graduate Theses and Dissertations Retrieved from https://scholarworks.uark.edu/etd/2242