Date of Graduation

5-2026

Document Type

Thesis

Degree Name

Master of Fine Arts in Theatre (MFA)

Degree Level

Graduate

Department

Theatre

Advisor/Mentor

Hicks, Morgan

Committee Member

Reed, David

Second Committee Member

Irish, Shawn

Keywords

Directing; Lauren Gunderson; Silent Sky

Abstract

This thesis documents the directorial process of a production of Lauren Gunderson’s Silent Sky, produced by the University of Arkansas Department of Theatre. This document follows the director’s journey from initial script analysis through closing night, with an emphasis on the successes and challenges found in mounting this fully realized, artistically unified production. The central argument of this thesis is that through careful documentation of a single production, it is possible to identify both successful strategies and areas for growth in the collaborative process. This thesis is organized in four chapters: The Big Bang, The Matter, The Dark Matter, and Luminosity. The Big Bang introduces the central thesis statement and documents the sources used throughout the director’s process. The Matter focuses on directorial preparation, wherein the director researched the historical figures and scientific ideas depicted in the play. This preparation also involved the use of Damon Kiely’s How to Rehearse a Play to identify different directorial techniques that the director implemented in the room. This chapter also discusses the directorial approach, which was informed by Lauren Gunderson’s own rhetoric surrounding the importance of “heart” in each of her plays. Most importantly, the director sought to build an environment grounded in genuine collaboration - one where each artist felt empowered to contribute their artistry to the work. The Dark Matter consists of the pre-production design process, the rehearsal process, and performances. Design highlights in this production include a spinning staircase as the central scenic element, a glow-in-the-dark galaxy painted onto Henrietta’s final costume, and a lighting design that allowed stars to always be present onstage. The rehearsal process is documented in detail, with sections focusing on table work, blocking, and working the play. Challenges discussed in this section include late-stage reblocking, unexpected lighting challenges, and the translation of scenic design from rendering to a fully realized set. Weather-related cancellations during the run required the addition of make-up performances, and seven total performances were presented to enthusiastic audiences. In Luminosity, this thesis identifies several areas of success, such as the cultivation of a collaborative rehearsal culture, effective communication of directorial concept to designers, and strong actor engagement throughout the process. This chapter also contains a reflection on areas for growth in designer communication, tech rehearsal pacing, and time management in scheduling. Ultimately, this thesis argues that effective theatrical direction requires not only a unified artistic vision, but a generous attitude in collaboration to realize that vision alongside other artists. The documentation of this single production offers a case study in the ways that preparation, adaptability, and a commitment to human-centered storytelling can shape the journey from script to stage.

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