Date of Graduation
5-2026
Document Type
Thesis
Degree Name
Master of Arts in Journalism (MA)
Degree Level
Graduate
Department
Journalism
Advisor/Mentor
Foster, Bobbie
Committee Member
Corrigan, Lisa
Second Committee Member
Tackett, Teresa
Keywords
agenda-setting theory; creative director; fashion; gender; hiring; journalism
Abstract
The aim of this study is to analyze the agenda-setting and framing techniques used in coverage of the lack of women in creative director positions in the luxury fashion industry, considering the different levels of contracts and proximity each publication has to hiring gatekeepers. Using a multi-method study of content analysis and interviews with fashion media professionals, this study explores questions of how often these articles are published and whether independent and advertorial publications use different framing strategies when reporting on fashion industry accountability. Twenty-five editorial articles from seven different publications were included in the content analysis portion of the study. Additionally, four fashion media professionals who wrote articles reporting on the lack of diverse creative director hires were interviewed. The results of the study show that, as these articles are often trend-based, agenda-setting and framing is unavoidable but can look different based on the professional proximity of the publication to hiring gatekeepers. While this research focuses on fashion media, the results are also reflective of a larger lens of journalism, especially when publications have ties to political funders.
Citation
Murphy, N. (2026). Reporting on the Glass Runway: The Agenda-Setting and Framing Used in Fashion Media’s Coverage of Gender Imbalances in the Luxury Fashion Industry. Graduate Theses and Dissertations Retrieved from https://scholarworks.uark.edu/etd/6240