Author ORCID Identifier:
Date of Graduation
7-2026
Document Type
Thesis
Degree Name
Master of Fine Arts in Theatre (MFA)
Degree Level
Graduate
Department
Theatre
Advisor/Mentor
Herzberg, Amy
Committee Member
Reed, David
Second Committee Member
Walch, John
Keywords
Acting; Identity; Theatre
Abstract
This paper will cover my approach as an actor and a creator in two separate productions during my time at the University of Arkansas. The first is a solo theatre piece that I devised under the tutelage of Michael Landman. This work, Half Brother, is a piece of theatre that takes an abstract approach to exploring the familial and psychological ripples that can occur in the life of a queer person when a parental unit takes on a political and religious identity that is oppositional to the LGBTQ community. It exposes the effect this transformation has on the child, their self-perception, and their relationships with other family members. The story centers the queer perspective and identity, with the protagonist, Bear, serving as our guide into this world. The piece is written in a verse-like style and was performed at the Global Campus Black Box Theatre in Spring of 2024. The second work examined in this paper is Heroes of the Fourth Turning by Will Arbery, in which I inhabited the role of Justin. This production took place in the Global Campus Black Box Theatre in the Fall of 2024 and was directed by Claire Wewers, a member of the M.F.A. cohort’s directing track. Heroes of the Fourth Turning is a play that is centered around a conservative Catholic college and five pillars of its community. Justin is a 38-year old ex-marine who is now working at his alma mater. Although Bear and Justin occupy separate realities and hold diametrically opposed values, my performance of both unites them within the same skin and bones, one heart, and a singular host. Over the following I will detail the work that was undergone in order to adequately perform the living of the realities of these dramatis personae.
Citation
Ryan, S. P. (2026). Fugue State: The Body Politic of Identity Theatre. Graduate Theses and Dissertations Retrieved from https://scholarworks.uark.edu/etd/6416